Sound Design, Mixing And Mastering With Ableton Live

Ableton Live Is A Flexible Audio Application: Use It For Sound Design For Music, Film, Theater, And Games; Composition; Improvising With Other Musicians; Live Looping; Djing; And, Of Course Mixing And Mastering Music. This Book Helps You In Audio Making And Mangling Recipes, Tips, And Mixing/mastering Techniques With The Use Of Ableton Live 8.

Titel:	Sound Design, Mixing And Mastering With Ableton Live
Auteur:	Perrine, Jake
Mediatype:	Mixed media
Bindwijze:	E-media
Taal:	Engels
Aantal pagina's:	180
Uitgever:	Hal Leonard Corporation
Plaats van publicatie:	01
NUR:	Muziekinstrumenten en –techniek
Afmetingen:	279 x 216 x 13
Gewicht:	454 gr
ISBN/ISBN13:	9781458400376
Intern nummer:	17946760

Introduction

1

(6)

Mission

1

(1)

How to Use This Book

2

(1)

Appendices

2

(1)

Supplemental Content

3

(1)

Assumptions

3

(2)

Basic Computer Experience

3

(1)

Understanding of Basic Music Terminology

3

(1)

Basic Ableton Live Experience

4

(1)

Versions of Live

4

(1)

Optional Useful Audio Gear

4

(1)

Conventions

5

(2)

Keyboard Shortcuts

5

(1)

Menu Items

5

(1)

Control-click/Right-click

6

(1)

Chapter 1 Sound Design Concepts

7

(6)

Sources

8

(2)

The Live Library

8

(1)

Commercial Sample Libraries

8

(1)

Online Sampling Communities

8

(1)

Sampling Others

8

(1)

Field Recording

9

(1)

Studio Recording

9

(1)

Prepared Recordings

9

(1)

Sound Generation/Synthesis

10

(1)

Live Suite Instrument Devices

10

(1)

Instrument Racks, MIDI Effects, and MIDI Effects Racks

10

(1)

Third-Party Synths

10

(1)

ReWire

10

(1)

External Synths

10

(1)

Circuit Bending

10

(1)

Processing

11

(2)

Clip Envelopes

11

(1)

Play Your Clip Loop

11

(1)

Launch Modes and Follow Actions

11

(1)

Samplers

11

(1)

Audio Effect Racks and Controllers

11

(1)

Max for Live

11

(1)

External Effects

12

(1)

Reamping

12

(1)

Chapter 2 MIDI and Controllers in Live

13

(50)

What Is MIDI?

13

(1)

Internal and External MIDI

14

(1)

Setting Up MIDI Controllers

14

(5)

Live's MIDI/Sync Preference Pane

15

(3)

Testing MIDI I/O

18

(1)

Key Map Mode and MIDI Map Mode

18

(1)

Exercise 2.1 Making MIDI Clips with Ableton Live's Instruments

19

(16)

Creating MIDI Clips

19

(1)

2.1.1 Make a MIDI Track with an Impulse Instrument

20

(2)

The Impulse Instrument

22

(1)

2.1.2 Making a MIDI Clip for Impulse by Entering Notes with Your Mouse

23

(2)

2.1.3 Editing MIDI Note Velocity

25

(1)

2.1.4 Recording MIDI Clips in Session View with the Computer MIDI Keyboard

26

(2)

2.1.5 MIDI Note Quantization

28

(1)

2.1.6 Record Quantization

29

(1)

MIDI Routing and Monitoring

30

(1)

2.1.7 Recording MIDI Clips in Arrangement View from a Controller

31

(3)

2.1.8 Overdubbing and Editing MIDI Performance Gestures (Modulation Wheel)

34

(1)

Exercise 2.2 Instrument Racks

35

(10)

2.2.1 Creating a Layered Instrument with Instrument Racks

36

(2)

2.2.2 Split Keyboard Instruments and Simpler

38

(2)

2.2.3 Velocity Splits

40

(2)

2.2.4 Configuring Third-Party Instrument Device Parameters

42

(2)

2.2.5 Instrument Rack Macro Control Mappings

44

(1)

Exercise 2.3 Drum Racks

45

(6)

2.3.1 Making a Basic Drum Rack

45

(3)

2.3.2 Slice to New MIDI Track (Drum Rack)

48

(2)

2.3.3 Glitching Up a Slice to New MIDI Track Beat

50

(1)

2.3.4 Play the Percussion Drum Rack with Another Track's MIDI Clip

51

(1)

Exercise 2.4 MIDI Effects

51

(6)

2.4.1 Adding a Random MIDI Effect to the Sliced Track to Create Variations

52

(1)

2.4.2 Adding an Arpeggiator to the PannerPad Track

53

(1)

2.4.3 MIDI Effects Racks and the Chain Selector

54

(3)

MIDI Clips with Hardware Synths (External MIDI)

57

(6)

MIDI Cables, Ports, and Channels

57

(1)

MIDI Signal Routing

58

(2)

MIDI Device and Channel Routing in Live

60

(1)

Monitoring External Devices

60

(3)

Chapter 3 Mixing Concepts

63

(10)

Mixing Terminology

63

(4)

Gain, Level, and Volume

63

(1)

Dynamic Range

64

(1)

Gain Stages

64

(1)

Working with Levels

65

(1)

Steps for Setting Levels in Your Mix

66

(1)

The Mix Concept

67

(6)

Height (Dynamic Range)

67

(1)

Width (Stereo Image)

68

(1)

Depth (Space)

69

(1)

Color (Frequency)

70

(1)

Texture (Effects)

71

(1)

Timing (Groove)

71

(2)

Chapter 4 Mixing and Automation in Live

73

(16)

Exercise 4.1 Mix Automation in Arrangement View

73

(10)

4.1.1 Recording Basic Automation Gestures

73

(2)

4.1.2 Track Panning Automation and the Automation Control Chooser

75

(1)

4.1.3 Adding Additional Automation Lanes

76

(1)

4.1.4 Editing Automation Envelopes with Draw Mode Off

77

(1)

4.1.5 Editing Automation Envelopes with Draw Mode On

78

(1)

4.1.6 Editing Ranges of Automation Envelopes

79

(1)

4.1.7 Clip Fades

80

(1)

4.1.8 Automating Parameters Using MIDI Controllers

81

(1)

4.1.9 Group Tracks

82

(1)

Automation and the Back to Arrangement Button

83

(1)

Mixing and Mix Automation Tips

83

(3)

Master Track Plug-ins

85

(1)

Exporting Your Mix to a File

86

(3)

Using Dither

87

(2)

Chapter 5 Mastering Concepts

89

(16)

The History of Mastering and the Loudness War

90

(3)

The Present State of Mastering

91

(2)

Understanding Levels

93

(4)

Metering, Past and Present

93

(1)

Reinventing "Loud"

94

(1)

Meters and Monitor Level Calibration

95

(2)

Working with Dynamic Range

97

(4)

The Challenges of Peak Limiting

98

(2)

Mastering Is Not the Final Dynamics Adjustment

100

(1)

Working with Frequency

101

(2)

Spectrum Analyzers

103

(1)

Translation

103

(1)

Misconceptions About Mastering

104

(1)

Chapter 6 Mastering with Live

105

(4)

Effects on the Master Bus

105

(1)

Multiple Tracks in a Release

106

(2)

Using External Processing

108

(1)

Chapter 7 Best Practices

109

(18)

Ableton Live Preferences

109

(5)

Look/Feel

109

(1)

Audio

110

(1)

Sample Rate

110

(1)

Bit Depth

111

(1)

Buffer Size

111

(1)

MIDI Sync

112

(1)

File Folder

112

(1)

Record Warp Launch

113

(1)

CPU

113

(1)

Library

114

(1)

Resource Management

114

(4)

CPU Load Meter

114

(1)

Freeze Track

115

(2)

Flattening Tracks

117

(1)

Hard-Disk Overload Indicator and RAM Mode

117

(1)

Device Delay Compensation

118

(1)

File Management

118

(9)

Digital Audio File Types and Data Compression

118

(1)

Live Project Folders

119

(2)

Collect All and Save

121

(1)

File Manager and Missing Files

122

(1)

Importing Sets, Tracks, and Clips

122

(1)

The Live Library

123

(2)

Backups

125

(2)

Appendix A Frequency and Amplitude

127

(2)

Frequency

127

(1)

Amplitude

128

(1)

Appendix B Digital Audio

129

(4)

Sampling Rate

129

(1)

Bit Depth

130

(1)

Mixing Sample Rates and Bit Depths---Maintaining Audio Quality in Live

130

(3)

Appendix C Latency

133

(2)

Appendix D The Makings of a DAW

135

(6)

The Computer

135

(1)

The CPU

136

(1)

The Operating System

136

(1)

Hard Drives

136

(3)

RAM

139

(1)

Display Monitor

139

(2)

Appendix E The Makings of a Producer's Studio

141

(6)

The Listening Environment

141

(1)

Your Acoustic Space

142

(1)

Monitor Placement

143

(1)

Speakers

143

(1)

Subwoofers

144

(1)

Headphones

144

(1)

Audio and MIDI Interfaces

144

(1)

Controllers

145

(1)

Mixers and Signal Routing: ITB or OOTB?

145

(1)

Microphones and Preamps

146

(1)

Appendix F Third-Party Devices

147

(8)

Camel Audio (www.camelaudio.com)

147

(3)

Ohm Force (www.ohmforce.com)

150

(2)

Spectrasonics (www.spectrasonics.net)

152

(1)

TAL (http://kunz.corrupt.ch)

153

(1)

Voxengo (www.voxengo.com)

154

(1)

Appendix G How to Use the DVD Content

155

(2)

Index

157

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Prijs:	€ 15,65
Levertijd:	3 tot 5 werkdagen
Mediatype:	Mixed media
Genre:	Muziekinstrumenten en –techniek

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