Searching In The Sun For The World's Greatest Unfinished Song
Fusing A Dribble Of Bass, Searing Strings, Tremolo Guitar And Campbell's Plaintive Vocals, Webb's Paean To The American West Describes A Telephone Lineman's Longing For An Absent Lover, Who He Hears 'singing In The Wire' - And Like All Good Love Songs, It's An Sos From The Heart.
|auteur:||Jones, Dylan (editor)|
|Uitgever:||FABER & FABER|
|Plaats van publicatie:||03|
|Afmetingen:||139 x 204 x 30|
The sound of 'Wichita Lineman' was the sound of ecstatic solitude, but then its hero was the quintessential loner. What a great metaphor he was: a man who needed a woman more than he actually wanted her. Written in 1968 by Jimmy Webb, 'Wichita Lineman' is the first philosophical country song: a heartbreaking torch ballad still celebrated for its mercurial songwriting genius fifty years later. It was recorded by Glen Campbell in LA with a legendary group of musicians known as 'the Wrecking Crew', and something about the song's enigmatic mood seemed to capture the tensions in America at a moment of crisis. Fusing a dribble of bass, searing strings, tremolo guitar and Campbell's plaintive vocals, Webb's paean to the American West describes a telephone lineman's longing for an absent lover, who he hears 'singing in the wire' - and like all good love songs, it's an SOS from the heart. Mixing close-listening, interviews and travelogue, Dylan Jones explores the legacy of a record that has entertained and haunted millions for over half a century. What is it about this song that continues to seduce listeners, and how did the parallel stories of Campbell and Webb - songwriters and recording artists from different ends of the spectrum - unfold in the decades following? Part biography, part work of musicological archaeology, The Wichita Lineman opens a window on to America in the late-twentieth century through the prism of a song that has been covered by myriad artists in the intervening decades.
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