Transnational Encounters
Music And Performance At The U.s.-mexico Border
Madrid, Alejandro L. (EDT)
| Prijs: |
€ 37,80 |
| Levertijd: |
3 tot 5 werkdagen |
| Bindwijze: |
Boek, Paperback |
| Genre: |
Muziek |
Beschrijving
This Book Explores The Transnational Connections That Inform The Large Diversity Of Musical Traditions From The U.s.-mexico Border While Keeping An Eye On Their Powerful Local Significance, In An Attempt To Redefine Notions Like "border," "nation," "migration," And "diaspora."
Details
| Titel: |
Transnational Encounters |
| Auteur: |
Madrid, Alejandro L. (EDT) |
| Mediatype: |
Boek |
| Bindwijze: |
Paperback |
| Taal: |
Engels |
| Aantal pagina's: |
424 |
| Uitgever: |
Oxford University Press Inc |
| Plaats van publicatie: |
01 |
| NUR: |
Muziek |
| Afmetingen: |
234 x 156 x 34 |
| Gewicht: |
602
gr
|
| ISBN/ISBN13: |
9780199735938 |
| Intern nummer: |
18007822 |
Inhoudsopgave
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xi | |
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xiii | |
| Acknowledgments |
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xv | |
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Map of the U.S.-Mexico Border |
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xvii | |
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1 Transnational Musical Encounters at the U.S.-Mexico Border: An Introduction |
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1 | (18) |
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2 Reggae on the Border: The Possibilities of a Frontera Soundscape |
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19 | (22) |
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3 Breaking Borders/Quebrando fronteras: Dancing in the Borderscape |
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41 | (26) |
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4 Narcocorridos: Narratives of a Cultural Persona and Power on the Border |
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67 | (18) |
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5 Mariachi Reimaginings: Encounters with Technology, Aesthetics, and Identity |
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85 | (26) |
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6 "This Is Our Musica, Guy!": Tejanos and Ethno/Regional Musical Nationalism |
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111 | (18) |
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PART THREE Indigeneity and Modernity |
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7 Re-localized Rap and its Representation of the Hombre digno |
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129 | (20) |
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8 Waila as Transnational Practice |
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149 | (22) |
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PART FOUR Cultural Citizenship and Rights |
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9 Transnational Identity, the Singing of Spirituals, and the Performance of Blackness among Mascogos |
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171 | (20) |
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10 Transnational Cultural Constructions: Cumbia Music and the Making of Locality in Monterrey |
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191 | (16) |
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11 Patriotic Citizenship, the Border Wall, and the "El Veterano" Conjunto Festival |
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207 | (24) |
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PART FIVE Trans-Border Cosmopolitan Audiotopias |
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12 The Tijuana Sound: Brass, Blues, and the Border of the 1960s |
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231 | (21) |
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13 La avanzada regia: Monterrey's Alternative Music Scene and the Aesthetics of Transnationalism |
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252 | (35) |
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PART SIX Contested Identities |
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14 New Mexico and `Manitos at the Borderlands of Popular Music in Greater Mexico' |
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287 | (25) |
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15 "Todos me llaman El Gringo": Place, Identity, and Erasure within the New Mexico Hispano Music Scene |
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312 | (29) |
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PART SEVEN Performing Locality and Gender |
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16 From Pistol-Packing Pelado to Border Crossing Mojado: El Piporro and the Making of a "Mexican" Border Space |
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341 | (32) |
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17 Dancing Reggaeton with Cowboy Boots |
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373 | (20) |
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| Contributors |
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393 | (6) |
| Index |
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399 | |
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