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Embodied Cognition And Cinema

Embodied Cognition And Cinema - Coegnarts, Maarten (EDT)/ Kravanja, Peter (EDT)/ Johnson, Mark (FRW) - ISBN: 9789462700284
Prijs: € 69,50
Levertijd: 3 tot 4 werkdagen
Bindwijze: Boek, Gebonden
Genre: Film en televisie
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Beschrijving

The impact of the embodied cognition thesis on the scientific study of film.
The embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences. This book is the first edited volume to explore the impact of the embodied cognition thesis on the scientific study of film. A team of scholars analyse the main aspects of film (narrative, style, music, sound, time, the viewer, emotion, perception, ethics, the frame, etc.) from an embodied perspective. By combining insights from various disciplines such as cognitive film theory, conceptual metaphor theory, and cognitive neuroscience, they show how the process of meaning-making in film is embodied and how empathy and embodied simulation play a role in understanding the way in which the viewer interacts with the film.

Foreword by Mark Johnson, Knight Professor of Liberal Arts and Sciences, Department of Philosophy, University of Oregon.

Details

Titel: Embodied Cognition And Cinema
auteur: Coegnarts, Maarten (EDT)/ Kravanja, Peter (EDT)/ Johnson, Mark (FRW)
Mediatype: Boek
Bindwijze: Gebonden
Taal: Engels
Druk: 1
Aantal pagina's: 336
Uitgever: Leuven University Press
Plaats van publicatie: BE
NUR: Film en televisie
Afmetingen: 242 x 162 x 29
Gewicht: 716 gr
ISBN/ISBN13: 9789462700284
Intern nummer: 29756459

Extra informatie

Embodied Cognition and Cinema

Recensie

The impact of the embodied cognition thesis on the scientific study of film.
The embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences. This book is the first edited volume to explore the impact of the embodied cognition thesis on the scientific study of film. A team of scholars analyse the main aspects of film (narrative, style, music, sound, time, the viewer, emotion, perception, ethics, the frame, etc.) from an embodied perspective. By combining insights from various disciplines such as cognitive film theory, conceptual metaphor theory, and cognitive neuroscience, they show how the process of meaning-making in film is embodied and how empathy and embodied simulation play a role in understanding the way in which the viewer interacts with the film.

Foreword by Mark Johnson, Knight Professor of Liberal Arts and Sciences, Department of Philosophy, University of Oregon.

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